An American Revolt to Preserve Identity and Heritage


“Bowl” by Maria and Julian Martinez (Native American, San Ildefonso Pueblo, New Mexico), San Ildefonso Pueblo via The Metropolitan Museum of Art is licensed under CC0 1.0


“Under the Spanish, the Jemez were famed for their black-and-white pottery, and were commissioned to make chalices and other ecclesiastical objects. Perhaps because of this association, Liebmann found virtually no black-and-white pottery at the new sites. Instead, pottery with the double-headed key motif and other ancient designs predominated. The Jemez also began to use a simple red pottery that exploded in popularity among the Pueblo after the Revolt, perhaps signifying the formation of a pan-Pueblo identity that hadn’t existed before.”

. . . “I always wonder how the Pueblo would live today if there had been no Revolt,” says Aguilar. “It’s a scary thought, because if those colonial practices had played out over the course of another century, there’s no telling what the state of my pueblo would be. We are living where we are and we are the people we are thanks in part to the Revolt.”

–“The First American Revolution” on